BEGIN:VCALENDAR VERSION:2.0 PRODID:-//172.67.138.41//NONSGML kigkonsult.se iCalcreator 2.26.9// CALSCALE:GREGORIAN METHOD:PUBLISH X-FROM-URL:https://www.wmse.org X-WR-TIMEZONE:America/Chicago BEGIN:VTIMEZONE TZID:America/Chicago X-LIC-LOCATION:America/Chicago BEGIN:STANDARD DTSTART:20231105T020000 TZOFFSETFROM:-0500 TZOFFSETTO:-0600 RDATE:20241103T020000 TZNAME:CST END:STANDARD BEGIN:DAYLIGHT DTSTART:20240310T020000 TZOFFSETFROM:-0600 TZOFFSETTO:-0500 RDATE:20250309T020000 TZNAME:CDT END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:ai1ec-161134@www.wmse.org DTSTAMP:20240329T004505Z CATEGORIES;LANGUAGE=en-US:Phone Interview CONTACT: DESCRIPTION:
\n< p>Tune into WMSE as Erin talks with Carson McHone about her newest album – Stil l Life – which was just released to Merge Records. McHone makes her w ay to Milwaukee’s Cactus Club on Thursday\, March 31st\, opening for Daniel Romano’s Outfit.\n“Years bef ore Rolling Stone was praising Carson McHone’s rule-breaking root s music\, the Austin\, Texas native played weeknights in local bars like T he White Horse\, keeping dancers dancing and drinkers drinking. With her 2 1st birthday still in the distance\, McHone entertained late-night crowds bearing witness to the good times and bad decisions that fill a busy bar. It was a rare\, raw education. She pumped her music full of details from a n early adulthood spent in the company of the heartbroken and high-toleran ced. In 2015\, McHone released Goodluck Man which earned her a cover story in The Austin Chronicle as well as the support of local icons like Ray Wy lie Hubbard\, who said she “writes songs like her life depends on it.” The n she hit the road\, touring the U.S. (and beyond) with acts like Shakey G raves\, Gary Clark\, Jr.\, and Joe Pug. Her writing style widened and her music evolved.
\n“Dark\, driving and evocative\, 2018’s Carousel cap tures this period of remarkable growth\, shining a light not only on McHon e’s honky-tonk roots\, but on her development as a modern\, alt-country st oryteller. It features newly written songs and updated versions of tracks that first appeared on Goodluck Man\, pushing traditional sounds and theme s into a modern context.”
\n~KUTX
\n“Four years after Carousel\, she’s blossomed far beyond the genres she’s never fit into. He r Merge Records debut\, Still Life\, is a sweeping collection of technicol or and crooning balladry\, a country vibrato that toes the line between al ternative and Americana. The record’s orchestral arrangements\, supplied b y Ontario bulwark Daniel Romano\, turn McHone’s songwriting three-dimensio nal.”
\n~SPIN
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